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Showing posts with label Museums. Show all posts
Showing posts with label Museums. Show all posts
Buenos Aires is one of the cultural capitals of South America, so it is no wonder it is full of amazing art museums.

These mighty institutions are frequented by locals and tourists alike, and host some of the most important exhibitions in Latin America.
A famous Argentine artwork by Antonio Berni


Buenos Aires is synonymous with art. 


The cultural mix of European and Latin influences has inspired numerous artists to build their own style.

Dozens of museums and art galleries display the work of new and renowned exponents; however, many talents present their works in outdoor spaces, such as streets and parks.

MALBA (Museum of Latin American Art of Buenos Aires Malba).


The MALBA, or the Buenos Aires Museum of Latin American Art, is perhaps the most famous contemporary art museum in the whole country.

Considered on a par with foreign institutions in New York and London, the MALBA’s permanent collection and temporary exhibitions are housed in a slick, modern gallery space, and in the recent past, works by Jeff Koons as well as exhibitions showcasing works by famous Mexican artists Diego Rivera and David Alfaro Siqueiros have graced the halls of the museum.

Culture vultures at the MALBA

They have a huge permanent collection featuring works by many of the art world’s most lauded masters dating back centuries. It has one of the largest collections of art in Latin America, with over 12,000 pieces in the permanent collection.


The museum is notable for its important European art collection from the 19th century, as well as its large collection of works by Argentine artists. Admission is free of charge so there is no excuse not to go!.

Buenos Aires’ Fine Arts Museum.

Facade of the National Museum of Fine Arts

Buenos Aires’ Fine Arts Museum is another important institution in the Argentine capital.

They have a huge permanent collection featuring works by many of the art world’s most lauded masters dating back centuries. It has one of the largest collections of art in Latin America, with over 12,000 pieces in the permanent collection.

Read also: The Museum of Vine and Wine in Cafayate Valley Calchaquíes gives a different attraction.

The museum is notable for its important European art collection from the 19th century, as well as its large collection of works by Argentine artists. Admission is free of charge so there is no excuse not to go!.

Fortabat Collection.

The AMALITA Collection. The Amalia Lacroze de Fortabat Art Collection is a private non-profit institution, open to the public, with a heritage of approximately 250 works.

The building that contains the collection is located next to the northeast end of Dock 4, at Calle Olga Cossettini 141. It was designed by the Uruguayan architect Rafael Viñoly, on almost 7000 m² of total area. It has 4 levels, two large rooms, an Auditorium and a cafeteria.

The main gallery consists of a space that occupies an entire floor of the building, covered by an arched ceiling made of glass and steel, which goes from the upper level to the ground level. The curved steel ribs that shape the roof rise from ground level, ending 15m. higher, leaning on reinforced concrete that runs the length of the construction.

The entrance of light inside the galleries is controlled by a system of fifteen movable parasols, controlled by computers, that regulate the sunlight that enters and are mounted on the exterior of the glass vault. Both the internal structure and the external cladding are made of aluminum.

MACBA.

Today, the museum includes works of the most representative tendencies of international geometry.

Established by the Foundation Aldo Rubino in 2012, based on his collection of contemporary art from Argentina and other countries, specialized in geometric abstraction.

The building with glass façade was designed by the architecture studio Vila Sebastián Arquitectos. The total surface destined to the activities of the museum amounts to 1,600 sqm, with 5 floors connected through a ramp.

Eduardo Sivori Plastic Arts Museum.

Inaugurated in 1938, the Museo de Artes Plásticas Eduardo Sívori is dedicated to Argentine art.

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Buenos Aires is a city that breathes literature. It is a constant part of the lives of many porteños, who sneak around the streets with books to read in cafes, by the river or in parks.

One only needs to know where to look to find literary cafes, poetry slams and bookstores full of rich history all over town.

Many of Latin America’s’ greatest authors lived, at one point or another, in Buenos Aires.

Perhaps the best known Argentine author internationally, Jorge Luis Borges, happened to have been a true lover of Buenos Aires, and saw the city through a very special lens, one we will try to look through today.

Buenos Aires is a city that breathes literature.

Buenos Aires, the eternal city of Jorge Luis Borges, is a city that breathes literature. 

Borges was born the 24th August 1899 in Buenos Aires.

He grew up in a middle class family of no considerable wealth, not rich enough to live in the downtown area of Buenos Aires yet not poor.

He grew up in Palermo, at that time considered a poorer neighbourhood, not the lively, trendy one it is today.

There he lived until 1914, the year in which his family emigrated to Switzerland.
The Jorge Luis Borges International Foundation and Borges Museum. (Dr. Tomás Manuel de Anchorena 1660, C1425, Buenos Aires)

I suggest following Borges’ footsteps through Buenos Aires and finding some interesting places along the way.

This mini tour of Borges’ life in Buenos Aires will not start, however in Palermo but rather in Recoleta, another neighbourhood close to the author’s life.

We will then walk a little through Retiro, see some of his homes, and then return to where it all began, Palermo, where we’ll have a drink and toast to Borges’ legacy!

As a Shakespeare in Stratford-Upon-Avon or Kafka in Prague, Jorge Luis Borges will offer a museum that recurs in the place where he was born.

Without further ado, let’s start!


Founded by his widow, Maria Kodama, the foundation came into existence on the 24th of August 1988.

What once was Borges’ family home, between the years 1938 and 1943, today is a museum dedicated to the author’s life and work. Here he wrote “Las ruinas circulares”, one of his better known short fiction pieces.

Av. Pueyrredón 2190, Buenos Aires.


On our way to the Recoleta Cemetery (very much worth a visit in it’s own right), we will walk past one of Borges’ many homes in the city.

On the fifth floor at 2190 Pueyrredón Avenue we can stop and appreciate, not only one of the most beautiful parts of Buenos Aires, but also where he lived from 1929 until 1939. A small footnote on our Borgesian journey.

The Recoleta Cemetery (Junín 1760, C1113).


Arguably the most beautiful cemetery in the country, and for sure one of the most stunning in Latin America, the Recoleta Cemetery is home to many of the most illustrious argentine families.

A history lesson hiding within, this place is very much worth a visit, especially for photography aficionados.

The cemetery hosts Borges’ family mausoleum, where his mother is buried. He himself lies in Geneva, having died there, continuing a somewhat sad tradition of national writers finding their final resting place abroad.

La Biela (Av. Presidente Manuel Quintana 596, C1129ABO)


La Biela’s history is rather remarkable, which is of course why it’s visited by porteños and foreigners alike.

After a morning of heavy walking around Recoleta we will all be tired, so what better place to stop and have a coffee than La Biela, one of the most iconic (and yes, touristy) cafes in the city.

La Biela’s history is rather remarkable, which is of course why it’s visited by porteños and foreigners alike. Once a popular destination for the likes of Fangio and Borges, inside we will find a cacophony of portraits, photographs and statues, all celebrating their famous customers.

Yes, it is ok to go ahead and take a photo with Adolfo Bioy Casares and Borges, we have all done it, no one is judging.

Av. Quintana 222 and 263


On our way to our next stop we can walk through Quintana avenue and tick two of Borges’ other homes off our list.

It is at 222 that Borges lived shortly after returning from Europe and at 263 where he resided from 1943 until 1946.

Plaza San Martín (Maipú 1210, C1006).


Yet another place worth seeing on it’s own merit, Plaza San Martin, named after the General José de San Martin, was witness to most of Borges adult life.

Walk around or sit on a bench and enjoy a good book, do it Borges style!

His final home in Buenos Aires.


Borges spent his latter years on the 6th floor, apartment B, at 994 Maipu avenue. He moved here in 1944 and lived there with his mother until she died aged 99, in 1975.

Here, most poetically perhaps, is where he eventually lost his sight, from a condition inherited from his father.

Back to Palermo.


As mentioned above, Palermo is where it all started, so it is where we shall end our small tour. On the originally named “Jorge Luis Borges” street we can find another two homes.

The first one is at 2135, where he spent his childhood, and the second one is at 2147, where his grandmother used to live.

If we are too tired to walk, the 152 bus should take us back to Palermo, just ask for the Av. Santa Fe 3901 stop.

Borges 1975 (Jorge Luis Borges 1975, C1414DGG, CABA).


For the end, a personal recommendation. On the same street at 1975, you will find a bookshop called Borges 1975.

Regardless of whether during the day or at night, this is a nice place to visit: unpretentious and simple yet deeply porteño, this bookshop comes to life at night.

Enjoy a pizza or a glass of wine with a new book or, if you’re lucky, take advantage of their live jazz shows and art exhibitions and relax after a very Borgesian day!

A reference to paleontology in Patagonia, the Egidio Feruglio Museum (MEF), located in the center of Trelew, operates in a modern building inaugurated in 1999 and keeps findings of considerable scientific value.
Since 2004, the MEF belongs to the unit category associated with the Conicet (Council of Scientific and Technical Research), which among other actions, yields to the MEF 11 scientists for the research area.

Since 2004, the MEF belongs to the unit category associated with the Conicet (Council of Scientific and Technical Research), which among other actions, yields to the MEF 11 scientists for the research area.

All the assets of the MEF, which was accumulated, studied and preserved, is exhibited with the central objective of telling the history of the planet taking as a contextual reference to Patagonia.

Under a contemporary museological conception, the exhibition area is designed from the current geological period until the Paleozoic Era with its ancient fossil records.

More than 1,700 fossil pieces and 30 dinosaurs that show the rooms are accompanied by models and explanatory sheets, as well as a video projection that tells the beginnings of life on this planet.

We went through the first sections of the room, which represent from the first human settlements in Patagonia to the primitive microorganisms, where some milestones of natural history are marked.

In the main sector, the Mesozoic Era is concentrated with dinosaurs belonging to the Cretaceous, Jurassic and Triassic periods. Among them, the Carnotaurus sastrei, belonging to the group of abelisaurids -the most spectacular South American carnivorous dinosaurs-, Gasparinisaura cincosaltensis, of the group of herbivores and Titanosaurus australis, with fossil eggs of this species.

On the upper floor, the photographs reflect the different paleontological campaigns carried out in Patagonia and the achievements made thanks to the efforts of numerous scientists.

The Feruglio museum building also has an auditorium that was named Germán Sopeña, as a reminder of the journalist who carried out a great task of scientific dissemination in the south.

In addition to numerous programs for adults and children, guided tours for groups of 30 people, in Spanish, English, Italian and German.

Likewise, the museum has an itinerant exhibition that travels around the world with the aim of spreading the paleontological richness of Patagonia.

The October 18, 1959 with the presence of Buenos Aires mayor Hernán Giralt, and other senior officials was officially opened Caminito Street, between the sound of the bombs and the wailing sirens of the boats.

The noise of the Boca family was complete and the musician ovation. Since then the Caminito of La Boca became a meeting place for Argentines and foreigners included in the tourist guide most countries.

This Park and Museum was created in 1937, by decree of the Executive Branch of the Province.

The works were inaugurated on October 16, 1938, after intense work, had decided importance the measures taken by Don José María Bustillo, Minister of Public Works of the Province, which carried out the founding idea, Don José Antonio Güiraldes, brother of poet, then Mayor of San Antonio de Areco and member of the official Commission and Enrique Udaondo, president of the company and then first Director.

1.- Cycling the Abra del Acay.

Cycling the Abra del Acay.

Weds 14 Nov: San Antonio de los Cobres – La Poma (c. 2830m) (92km, 1350m ascent). The big day. We set off early, retracing to Los Patos and turning right. The route follows a stream through a broad valley, with a few settlements off the road. At 18km is what looks to be a good campsite (presumably the one used by Stefan Roman). 7km later there is a sandy stretch with no habitation beyond.

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Exist within the tourist circuit different places that are worth visiting for its historical, artistic, paleontological, or just for cultural record saved in the northern region of Patagonia.

Municipal Museum Juan Sánchez.
The Municipal Museum Juan Sánchez was created by Resolution No. 1,301 of September 30, 1983, opened to the public with a group show of works donated to the time the November 8, 1983.
Museo Municipal Juan Sánchez.

museo del vino cafayate7 The Museum of Vine and Wine in Cafayate, Salta is integrated into the project Salta Wine Route and Valleys Calchaquíes gives a different attraction.

A must for the visitor step of Cafayate, which will allow you to connect to the origins of winemaking in the region, responsible for growth and prosperity of the area north of Argentina.

It was created in 1981 and keeps the history of viticulture in Cafayate and the Valleys Calchaquíes. The building dates from 1888 and is on display inside old machinery, farm items, carpentry for the barrels, transport elements of late nineteenth century and an old mill from 1920 to 1945, was transported by car for 40 days Skip.

museo del vino cafayate5 The museum is housed in the former site of "La Bodega Encantada". Space is a "live", full of sound and visual stimuli, interactive and fun that can be visited by people of all ages.

The contents of the Museum of the Vine and Wine, are expressed in an artistic way, with display techniques including stage effects, lighting, multimedia programs and audiovisual presentations. Calchaquíes Valleys, landscapes, evoking traditions, the development of their wines internationally, inspired the design and creative development of this museum.

Museum Vinolas Vine and interactive exhibits of the Museum of the Vine and Wine are developed in two architectural spaces that provide a counterpoint to the traditional image of the old local and modernity of the new building. Each has a thematic area or "narrative line" through which the public are the contents of the Museum.

The new Museum of Vine and Wine is one of the most original and innovative space dedicated to wine worldwide. It was designed with the same cutting edge concept that others were as Glaciarium Theme Museums (Museum of Patagonian Ice) from El Calafate, and Lafinur Museum in St. Louis.

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Argentine infantry harness season, leather material, painted in green.
From left to right, takes 9mm Browning pistol holster or gun Ballester Molina lime 11.25
(Domestic) or system also known as Colt 45 cal.
British infantry belting, canvas material, is the two chargers L1A1 SLR (Self Loading Rifle), Automatic Rifle, Browning 9mm holster, the SLR bayonet caramgnola and 7, 62mm NATO.
Fin Vulcan turbine
Turbine vane Vulcan bomber who served in the Falklands War
"I certify that this component comes from a Rolls Royce Bristol Olympus Mk. 30101, N. serial 900,011. This engine was number 3 for XM597, Vulcan B Mk 2, which carried out the mission against radar equipment installed in the Falklands in May 1982. XM507 is stationed at 50 Squadron of the Royal Air Force Waddington. Wg Cdr CP Signature Lumb Squadron Commanding Officer 50 "
Survival suit the ship Sir Galahad
Survival suit used to leave the ship Sir Galahad after being attacked by the Air Force Argentina and before sinking. It was used by a Royal Marine Commando Logistic Regiment during the war.
The survivors were transferred to HMS Intrepid. The attack on June 8 was the bloodiest of the war and the Argentine naval attack led to lower Britain.
Mask pilot RFA
Mask worn by fighter pilots of the RAF in the 80's.
Similar to that used by the Air Force Argentina
Viewer British pilot helmet
Helmet used by the soldier or BICO Coria of BIM
One of the helmets that belonged to the soldier Malvinas Coria class 62 of the Battalion Command and Logistic Support, used by: LOGISTICS COMMAND AND SUPPORT BATTALION-BICO-
Enzo Ruben Coria CC62
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